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yglas homej Y Glas   DCC Clive Wolfendale interview

North Wales Police launched its new online hub, “Y Glas” (The Blues), on the 27th April.

With bold typography and rough-edged feel, it doesn’t feel like a typical police site. For starters, it tries to avoid the word ‘police’ altogether. Instead, Y Glas is an interactive hub, a single entry page that glues together the NWP’s various online initiatives. These range from blogs and online crime maps to new social networking and community experiments on Facebook and YouTube.

You could say that Y Glas is ahead of its time.

Why do North Wales Police need Y Glas?

“We already have a police website,” explains Deputy Chief Constable Clive Wolfendale, “and it’s got quite a lot of interactive functionality. You can view your local police teams, online crime maps, see a helicopter log, read rolling news, features and blogs. We’ve even got YouTube and Facebook links. But as far as engagement is concerned, the site hasn’t been as successful as we wanted it to be. It’s not bad. And it’s been groundbreaking in its time. But it’s also very traditional; very much Web 1.0.”

“Two years ago, I decided we’d create our own portal and give people ownership of it. And it’s worked. But the whole thing has been overtaken by social networking. Facebook, Bebo and MySpace own this world now. So what on earth is the point of doing your own thing?”

“So I wanted to move to the next stage. People always say that they want more bobbies on the beat and we’ve done a lot of work on physical visibility in North Wales. But people are also choosing to spend more of their time online, so I think it’s a real mistake to turn your back on it.”

The driving force behind the creation of Y Glas was to develop a method of connecting and communicating with the local community. The new Web 2.0* elements extend the NWP’s online reach into social networking, providing places where the public can engage with police officers directly. Think policing ‘on demand’.

Why do the police want to be on Facebook?

“The dilemma you have as a police force is that ‘do you get Web 2.0 or should you steer clear of it?’ And it’s a good point. People have a right to ask why the police want to get engaged in this particular world. But I’m pretty firm in the view that there’s a responsibility on the police service to be visible to all sections of the community who want us to be visible. Y Glas isn’t about monitoring people. It’s a method of connecting and communicating with local communities.”

“Increasingly, more and more people, of all ages and types, are choosing to spend their discretionary time on the Internet. Not in the pub or in the library or in community meetings or interacting socially in other ways. They’re choosing to do it online, through social networking, through accessing special interest sites, through Skyping, however way they want to do it.”

“I respect the right for anybody going about their lawful business, not to want to engage with the police if that’s the way they want to be. But I think there is an absolute onus on the police service to be in these new places if people want us. As an accessible presence. And also, to some extent, as a reassuring presence. Because this isn’t a world that is barred to us. We are prepared to be in there, to explore it, and to look at what is concerning people.”

How will the police use Facebook and YouTube?

“We’re fortunate that we’ve got one or two ‘champions’ across the force,” explains DCC Clive Wolfendale. “They really do get [the idea of interaction] and have already proved that this Web 2.0 approach can work and make some dramatic changes.”

Penmaenmawr Community Beat Manager PC Mike Smith is one of NWP’s Facebook ‘champions’. “He gets it 100 per cent and he’s done some ground breaking work with demonstrable value to the local community,” explains Wolfendale. “Things like: youth engagement, crime awareness, ‘adopt a street’ and encouraging people to look for new jobs. And he’s done it all through social networking. He’s built up a respectable group of people who he can do business with on a local level.”

With Y Glas, anybody looking for their local police officer has now got that ability. Via NWP’s Facebook page, you can find out who they are, their direct mobile phone number and email account.

Is this the start of something big?

“Y Glas is a hub, a single page that represents the best of everything we do and points you towards these best bits — the interactivity. I think it’s immediately different to anybody coming into it. And it had to be a little bit off the wall, intriguing and visually attractive. Something that young people can relate to, although I’m not sure whether that’s ever possible. We don’t want to turn anybody off with it. We wanted it to look familiar to a teenager who lives their life on such sites.”

“So what you see now is the start of where it will go. Every six months, we’ll create a new solution and add it to the content on the hub page, such as Twitter and Bebo. For me what’s important is that we’re capitalising on existing strong products, not reinventing the wheel. Not only is Y Glas familiar to people but it’s extremely cost-effective.”

“So I think we’re ready for Web 2.0. A year ago? Probably not. People were still coming to terms with the last iteration of the web. What I will say is that you won’t see anything like this on a police website. I can guarantee that. Unashamed, deliberate footsteps into the social networking world. Some people think it’s a scary world. Some people think it shouldn’t be part of policing. But by using Facebook and YouTube, we’re meeting the web world on its own terms.”

Y Glas is online now at www.yglas.com and co-exists alongside the current North Wales Police website — www.north-wales.police.uk.

* What is Web 2.0? The term describes web development and design that focuses on interaction, collaboration, content sharing and community building.

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On the Facebook beat with PC Mike Smith

by Dean on May 20, 2009

policeman facebook On the Facebook beat with PC Mike Smith

PC Mike Smith is the Community Beat Manager for the small town of Penmaenmawr in North Wales and he’s recently become something of a celebrity.

As one of the Facebook ‘champions’ in the North Wales Police, he’s been experimenting with the idea of community policing over social networks. His virtual work is one of the reasons that the new Y Glas police hub page was created. The BBC, S4C, local radio, even the Home Office have all sat up and taken notice.

Why are North Wales Police on Facebook?

The idea behind Y Glas is to connect to local people using modern technology — blogs, interactive crime maps and YouTube videos. The story starts with Facebook.

“I was on my own my personal [Facebook account],” explains PC Mike Smith, “and I put in a search for ‘Penmaenmawr’ just to see if there was anyone there. And all these names kept coming up. I didn’t know any of these people and the likelihood of me ever meeting them was nil. They probably hadn’t got a clue who their local bobby was either. So I thought I’d set up a Penmaenmawr site for myself and I sent messages to those people that said: ‘if you want to have a say in local policing, come and join this page’. And a lot of them did.”  

At the last count, PC Mike Smith’s ‘Penmaenmawr & Dwygyfylchi Community Police’ group had 116 followers. It’s a simple enough page. There’s some contact information and some related local links. The Wall, meanwhile, acts as an ongoing dialogue between Mike and his Facebook ‘friends’. He uses it to publicise news and events, to appeal for information about local crimes and to post video clips.

“There’s no way I would have met these people in Penmaenmawr,” adds Smith. “But on Facebook they’ve found me and I can reach them all instantly. If you’re trying to get a message to people in the street, it’s a lot harder and much more time consuming.” 

What do the police actually do on Facebook?

“All of my initiatives are run locally,” says PC Mike Smith. “I started off with an ‘adopt a street’ campaign, which asks people to adopt their own street and for neighbours to get together to tidy it up. They point out any cracks in the pavement, broken street lights, empty grit bins… and then they come to me. I have an agreement with Conwy council that I’ll action anything that’s been flagged up by ‘adopt a street’ within seven days.”

“I also ran an environmental action day; a clean up of the local area. Part of this was collecting scrap metal, which we then sold in Bangor. With the proceeds from that we bought tracksuits the local U16s… Then there’s the job club I’ve set up, where Careers Wales come over to Penmaenmawr once every three months, and spend a couple of hours in the community centre.”

“The latest thing is Bluelight. Basically, it starts off with discos for 13-17 year-old kids. The first one is on the 31st of July in Penmaenmawr and it consists of a large marquee where the main disco is and another marquee – the ‘chill out zone’ – where the kids can go to have drinks and food. Also in this marquee are the Bluelight partners: the Police Arson Reduction Team, Air Ambulance, drugs and alcohol counsellors, RAF and Army careers, Careers Wales, etc. They are there doing interactive demonstrations. If the kids want to go to them they can. Childline are also involved.”

What do the police hope to achieve?

PC Mike Smith uses Facebook as a way of engaging with local people when he’s not walking the beat. “What we want to be doing is proactive policing; stopping crimes before they happen,” he says. He’s aiming to foster a sense of community that will bloom online and spill back over into the real world. Put it this way: it costs a lot less to spend money on marketing and funding local initiatives than dealing with the consequences of crime.

On Facebook at least, North Wales Police are trying to connect with users on their own terms and in a familiar environment. Not only is it convenient for the public to connect with the police in this way, but it does wonders for the profile of the police themselves. It humanizes them and demystifies them. It shows that the police are willing to be open, visible and accessible, whether you live on a housing estate in Colwyn Bay or a cottage on a remote hillside.

So is this the future of community policing? It’s early days. North Wales Police have plans to extend their online presence beyond Facebook and YouTube to Bebo and Twitter. But it’s important to remember that this Web 2.0 approach to policing relies on what police officers do using the new technology, rather than the new technology itself. The Penmaenmawr project, for example, wouldn’t be a success without the dedication and enthusiasm of PC Mike Smith.

And what about a backlash? Has anyone objected to having the police on Facebook? “I envisaged a few nasty comments when I went on there,” says Smith warily. “But I’ve not had any. Perhaps it’s because Penmaenmawr is too small an area. So far so good.”

Y Glas is online now at www.yglas.com and co-exists alongside the current North Wales Police website — www.north-wales.police.uk.

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Mark Verhaagen interview

by Dean on May 14, 2009

monkey2 Mark Verhaagen interview

Rotterdam-based digital artist Mark Verhaagen defines his style as a “smooth digital gradient extravaganza”. I interviewed him for Computer Arts Projects magazine to find out exactly what that means…

Ask Dutch illustrator Mark Verhaagen about what inspires him and he’ll throw a bucket load of influences at you. Retro design, toys, pop culture, Sci-Fi and fantasy, childhood memories, nature, comics and old cartoons by Disney and Fleischer.

All of these have defined and shaped a distinctive look-and-feel that adds a hint of something alien to everything he creates – a bug-eyed monkey; flying robots; a group of white extraterrestrials praising Vodafone’s mighty Mobile Broadband and Email service.

Verhaagen describes his style as a “smooth digital gradient extravaganza with organic elements”. He regularly pulls in visual influences from retro science fiction and fantasy.

“I’ve always liked the work of Jim Henson,” he explains. “Unlike the hyper realistic special effects of today, Henson’s puppets were recognisable as puppets, but were so cool and human, and beautifully made, that you fully accepted them as characters telling a story…

“Director Michel Gondry [Eternal Sunshine of the Spotless Mind] often works in the same way. He makes his special effects almost in a clumsy and childlike way. Most of the things I find visually attractive, such as old toys and old animation, have that same feel of imperfection.”

The full text of this feature appears in the ‘Illustration issue’ (#123) of Computer Arts Projects.

[There's currently no link to this article. But you can find issues of Computer Arts Projects at myfavouritemagazines.co.uk. Want to know more? Find Computer Arts online at www.computerarts.co.uk.]

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20 ways to get your site noticed today

by Dean on March 26, 2009

seo tips 20 ways to get your site noticed today

How can you make your website stand out on the web? In a recent feature for Computer Arts Projects magazine, I compiled 20 SEO and site promotion tips to help designers get noticed online.

With billions of blogs and websites vying for eyeballs on the Internet, how can you make yours stand out from the crowd? It’s no good putting up a portfolio website and hoping that people will just find you. You’ve got to market yourself.

This process starts with having a good, easy-to-navigate website and strong content. But it’s also about getting out there on the web – interacting, chatting, commenting, advertising, Twittering, Flickring and Facebooking…

The key thing to remember is that there is no magic bullet in terms of site promotion. Instead, boosting your web profile (and ultimately your visitor numbers) is a combination of several tactics that can have long-term benefits.

In short: you need to optimise your site so it can be found easily by search engines; you need to tell people where your site is; and you need to provide something good for visitors to read once they get there. What follows are 20 tips designed to help you get your site noticed.

1. Know your keywords

Most websites get their traffic through search engines like Google, Yahoo! and Windows Live. So what are the search keywords that you need to tap into? What might people type into Google to find your site or an article you’ve written? You can test out search terms by using tools such as Wordtracker and the Google Adwords Keyword Tool.

Type ‘illustrator’ into the Google Adwords Keyword Tool and you’ll be able to see an estimate of how many searches the term gets, along with related searches such as ‘illustration’, ‘illustrators’, ‘book illustration’ and ‘fashion illustration’. Type ‘graphic design’ into the same tool and you’ll see that the phrase ‘graphic design’ has a higher search volume than ‘graphic designer’.

2. Use your keywords effectively

Optimising your site by embedding relevant keywords in your content is an easy way to make it more visible to the search engines. At the very least, your site’s tag should include those keywords that best describe your skills – ‘illustrator’, ‘graphic designer’, ‘animator’, etc. </p> <p>Take a look at www.bentheillustrator.com, for example. Not only has the site owner used the word ‘illustrator’ in the web URL, but the site’s <title> tag reads: “Ben The Illustrator! Illustration, Landscapes, Sunshine.” In addition to using keywords in your website’s <title> tag, you should also work them into your categories, URLs, post titles and subheadings where appropriate. Don’t overdo it, though. Search engines will penalise your site if you stuff it to the brim with keywords. Keep a natural balance.</p></blockquote> <p>For the remaining 18 SEO tips (including blogging, linkbaiting and site promotion), you’ll need to pick up a copy of Computer Arts Projects. </p> <p>[There's currently no link to this article. But you can find issues of Computer Arts Projects at myfavouritemagazines.co.uk. Want to know more? Find Computer Arts online at www.computerarts.co.uk.]</p> <p class="to_comments"><span class="bracket">{</span> <a href="http://deanfreelance.com/seo-20-ways-to-get-your-site-noticed/#comments" rel="nofollow"><span>0</span> comments</a> <span class="bracket">}</span></p> </div> </div> <div class="post-480 post hentry category-blog tag-computer-arts-projects tag-freelance-writing post_box" id="post-480"> <div class="headline_area"> <h2 class="entry-title"><a href="http://deanfreelance.com/benny-gold-interview/" rel="bookmark" title="Permanent link to Benny Gold interview">Benny Gold interview</a></h2> <p class="headline_meta">by <span class="author vcard fn">Dean</span> on <abbr class="published" title="2009-03-16">March 16, 2009</abbr></p> </div> <div class="format_text entry-content"> <p><img style="border: 0pt none; float:left; padding-right:10px; padding-bottom:15px" width="500" src="http://deanfreelance.com/wp-content/uploads/benny-gold-sticker.jpg" title="Freelance writer | Benny Gold interview" alt="benny gold sticker Benny Gold interview" /></p> <p>How do you go from an in-house designer to owning your own global brand? I interviewed Benny Gold for Computer Arts Projects magazine about self-promotion and pimping out portfolios… </p> <blockquote><p>Do a Google search for ‘Benny Gold’ and you’ll find that the San Francisco-based graphic designer is all over the web. </p> <p>Beyond maintaining his website at <a href="http://www.bennygold.com">www.bennygold.com</a>, he also writes various columns, runs an online shop, has a MySpace page, a Facebook profile and a Twitter ID. </p> <p>And it’s not just not high-tech promotional tools that help Benny Gold build his brand. “My friend Bryan spotted my sticker on a Mexican Mariachi band heading to work,” he remembers. “I have no idea how the sticker got there but it’s an honour greater than any press I could possibly get.” </p> <p>Gold is best known for his logo work. “My favourite type of projects are identity jobs. I really enjoy working on logos,” he says. “There is a lot of brainstorming and thought that goes into them and I find them extremely challenging and exciting… </p> <p>“I have had the pleasure of creating the original identities for Huf, Mash, Highsnobiety and many more. I’ve also worked with many notable clients, including: Stussy, Gravis, Carhart Europe, Nike, Adidas, Real Skateboards, Ipath and DVS footwear. In addition to freelancing I also run a signature clothing label – the Benny Gold brand.”</p></blockquote> <p>The article goes on to talk about Benny Gold’s identity/logo work for Mash, Huf and City Grounds, while exploring the various methods he uses to promote himself as a freelance designer. </p> <blockquote><p>“Promotion is important to keep your work fresh in people’s minds so when a job does come up you are their first thought,” Gold suggests. </p> <p>“The best way to stand out is to put out good work… Concepts are the strongest part of any design portfolio. Everyone knows how to use a computer and programs these days, so it’s not hard to make things look good.” </p> <p>But while strong concepts and ideas are the bedrock of good design, self promotion is vitally important. “In a weird way, promoting yourself is almost as important as the work itself,” Gold adds. “And the more tools you use the better.” </p></blockquote> <p>This feature appears in Computer Arts Projects, issue 122.</p> <p>[There's currently no link to this article. But you can find issues of Computer Arts Projects at myfavouritemagazines.co.uk. Want to know more? Find Computer Arts online at www.computerarts.co.uk.]</p> <p class="to_comments"><span class="bracket">{</span> <a href="http://deanfreelance.com/benny-gold-interview/#comments" rel="nofollow"><span>0</span> comments</a> <span class="bracket">}</span></p> </div> </div> <div class="post-475 post hentry category-blog tag-computer-arts-projects tag-freelance-writing post_box" id="post-475"> <div class="headline_area"> <h2 class="entry-title"><a href="http://deanfreelance.com/future-games-design-2/" rel="bookmark" title="Permanent link to The future of games design">The future of games design</a></h2> <p class="headline_meta">by <span class="author vcard fn">Dean</span> on <abbr class="published" title="2009-03-14">March 14, 2009</abbr></p> </div> <div class="format_text entry-content"> <p><img style="border: 0pt none; float:left; padding-right:10px; padding-bottom:15px" width="500" src="http://deanfreelance.com/wp-content/uploads/afro-samurai1.jpg" title="Freelance writer | The future of games design" alt="afro samurai1 The future of games design" /></p> <p>Does anybody take creative risks with video games any more? For this article in <a href="http://www.computerarts.co.uk/about_us/latest_issue/computer_arts_projects_issue_121">Computer Arts Projects</a> magazine, I was commissioned to look at games that are pushing the boundaries of visual design.</p> <blockquote><p>Last year was a fantastic year for video game design. Thanks to the HD capabilities of the PC, Xbox 360 and PlayStation 3, game characters, backgrounds and objects were sharper and far more detailed than ever before. </p> <p>Some games even stood out thanks to their striking visual design. Consider the ‘destroyed beauty’ of <em>Gears of War 2</em>; the sterile, high-contrast futurism of <em>Mirror’s Edge</em>; or <em>Braid</em>, which used the impressionistic artwork of David Hellman to memorable effect. </p> <p>PSP oddity <em>Echochrome</em>, meanwhile, challenged players to guide an artist’s mannequin through bleached, space-twisting M.C Escher puzzles. </p> <p>So what’s next? While today’s titles are powered by increasingly sophisticated middleware, it’s not the mathematical cleverness of Epic’s Unreal Engine or Havok Physics that will ultimately turn heads. </p> <p>It’s going to be the visuals. But in an increasingly crowded market, 2009’s wannabe classics need to do something different to catch the public eye. </p> <p>Take Namco Bandai’s <em>Afro Samurai</em>, for example. Based on a Manga comic by Takashi Okazaki, the game is a head-on collision between two distinctive styles – Japanese feudalism and African-American pop culture. </p> <p>Like the recent Afro Samurai animé series, the game draws upon the voice of Samuel L. Jackson and a hip-hop score by Wu Tang Clanner RZA in its pursuit of cold-blooded ‘cool’.</p></blockquote> <p>The article goes on to cover <em>MadWorld</em> for the Wii, <em>Bioshock 2</em>, <em>Resident Evil 5</em>, <em>Heavy Rain</em> and the stop-motion animation of <em>Cletus Clay</em>.</p> <p>[There's currently no link to this article. But you can find issues of Computer Arts Projects at myfavouritemagazines.co.uk. Want to know more? Find Computer Arts online at www.computerarts.co.uk.]</p> <p class="to_comments"><span class="bracket">{</span> <a href="http://deanfreelance.com/future-games-design-2/#comments" rel="nofollow"><span>0</span> comments</a> <span class="bracket">}</span></p> </div> </div> <div class="post-378 post hentry category-blog tag-freelance-writing tag-pc-plus post_box" id="post-378"> <div class="headline_area"> <h2 class="entry-title"><a href="http://deanfreelance.com/heterogeneous-computing/" rel="bookmark" title="Permanent link to Heterogeneous Computing and you">Heterogeneous Computing and you</a></h2> <p class="headline_meta">by <span class="author vcard fn">Dean</span> on <abbr class="published" title="2009-02-12">February 12, 2009</abbr></p> </div> <div class="format_text entry-content"> <p><img style="border: 0pt none; float:left; padding-right:10px; padding-bottom:15px" width="500" src="http://deanfreelance.com/wp-content/uploads/gpgpu-ray-tracing.jpg" title="Freelance writer | Heterogeneous Computing and you" alt="gpgpu ray tracing Heterogeneous Computing and you" /></p> <p>General-Purpose computation on GPUs (aka GPGPU) is big news in the scientific research market. This article for PC Plus magazine looks at whether the average Nvidia or AMD GPU can give your PC a significant speed boost. </p> <blockquote><p>GPUs are ideal number-crunchers – they’re designed to work with ’streams’ of data, applying pre-programmed operations to each part. GPUs are at their best working with large datasets that require the same computation. </p> <p>Calgary-based company OpenGeoSolutions uses Nvidia’s Tesla hardware to improve its seismic modelling via a technique called ‘Spectral Decomposition’. The process involves analysing low-level electromagnetic frequencies (caused by variances in rock mass) to build a stratigraphic view of the earth’s geology. </p> <p>On a typical CPU-based cluster, building sub-surface images took anywhere from 2 hours to several days. </p> <p>With a Tesla system, OpenGeoSolutions reported a performance increase that was “totally unprecedented”.</p> <p>That’s all great, you might say. But I’m unlikely to be solving shallow water equations or prospecting for oil beneath the Alaskan ice. What sort of impact does this have on a desktop PC? Beyond the obvious gaming applications, what’s in it for me?</p> <p>Right now, not much. If you’ve got an average graphics card like an Nvidia GeForce 9600 GT, your GPU (which features 64 separate stream processing cores) can already handle real-time physics effects. Nvidia ported Ageia’s PhysX code libraries to its 8-Series GPUs after acquiring the company back in February 2008. </p> <p>More recently, we’ve seen the potential for faster media encoding with the release of Badaboom. Ripping a DVD or converting a video file would typically monopolise a CPU-only system. Built with Nvidia’s CUDA language, Badaboom allocates this data-intensive workload to an Nvidia GPU, so the CPU can still be used for day-to-day tasks.</p></blockquote> <p>The full text of this article appears in PC Plus magazine, issue 279. Or you can read it online here: <a href="http://www.techradar.com/news/computing/pc/why-your-next-cpu-could-be-a-gpu-585876">Why your next CPU could be a GPU</a>.</p> <h3>Need a freelance writer, blogger or copywriter? <a href="http://deanfreelance.com/services/">Hire me</a>.</h3> <p class="to_comments"><span class="bracket">{</span> <a href="http://deanfreelance.com/heterogeneous-computing/#comments" rel="nofollow"><span>0</span> comments</a> <span class="bracket">}</span></p> </div> </div> <div class="post-345 post hentry category-blog tag-computer-arts-projects tag-freelance-writing post_box" id="post-345"> <div class="headline_area"> <h2 class="entry-title"><a href="http://deanfreelance.com/logo-redesigns-extreme-makeover/" rel="bookmark" title="Permanent link to Logo redesigns – “Extreme Makeover”">Logo redesigns – “Extreme Makeover”</a></h2> <p class="headline_meta">by <span class="author vcard fn">Dean</span> on <abbr class="published" title="2009-01-20">January 20, 2009</abbr></p> </div> <div class="format_text entry-content"> <p><img style="border: 0pt none; float:left; padding-right:10px; padding-bottom:15px" width="500" src="http://deanfreelance.com/wp-content/uploads/animal-planet.jpg" title="Freelance writer | Logo redesigns Extreme Makeover" alt="animal planet Logo redesigns Extreme Makeover" /></p> <p>This is another freelance feature that appears in issue 120 (February 2009) of <a href="http://www.computerarts.co.uk/about_us/latest_issue/computer_arts_projects_issue_120">Computer Arts Projects</a> magazine. </p> <p>Titled “Extreme Makeover”, the article looks at how redesigning a logo can reinvigorate and modernise a fading brand. </p> <p>The brief called for mini-interviews with the client company or the design agency, looking at what Computer Arts Projects readers can learn from the featured redesigns, why companies decide to redesign and how they can improve their own branding work.</p> <p>Here’s an excerpt from the article itself:</p> <blockquote><p>Appearance is everything and a strong logo is a powerful way to make a brand stand out from the crowd. Consider the red, white and blue of the Pepsi emblem, the BBC’s solemn multi-platform typography or the classic Mercedes Benz badge. </p> <p>Yet even these global brands have needed to freshen up their image to stay in touch with their target markets. Only a few logos, such as Nike’s iconic ’swoosh’ and McDonald’s ‘golden arches’ have stood the test of time.</p> <p>A logo redesign can reinvigorate a tired or fading brand. On the one hand, this could involve simply tweaking the logo or updating the typeface. </p> <p>For example, when Xerox rebranded in January 2008, it kept faith with its recognisable red palette, but updated its 40-year old logo by changing the font (to FS Albert) and adding a red sphere (to convey the idea of a global company). </p> <p>The result is a softer, round-edged wordmark and a new brand icon that is more relevant and less formal.</p> <h3>The brand bond</h3> <p>Logos are a key factor in our bond with an individual brand. So it’s hardly surprising that some companies don’t want to risk a well-developed identity with a wholesale logo redesign. </p> <p>There’s something in the old “if it ‘aint broke…” mantra. Instead, they opt for smaller, more subtle changes to their logos. </p> <p>You can see this sort of logo-modding going on everywhere. For example, MSNBC swapped its austere uppercase type for a lowercase sans serif font. </p> <p>US airline Delta revamped its iconic pyramid (now red, instead of blue/red) and chose a more sophisticated uppercase font. </p> <p>Pepsi is also tweaking its brand image, updating its iconic Pepsi emblem to feature a series of so-called ’smiles’. Pepsi, Diet Pepsi and Pepsi Max will also use a minimalist lowercase font.</p></blockquote> <p>You get the idea. The rest of the feature covered logos including: Mapquest, Dolby, The Museum of London, Animal Planet, Five and Quantas.</p> <p>[There's currently no link to this article. But you can find issues of Computer Arts Projects at <a href="http://www.myfavouritemagazines.co.uk">myfavouritemagazines.co.uk</a>. Want to know more? Find Computer Arts online at <a href="http://www.computerarts.co.uk">www.computerarts.co.uk</a>.]</p> <p class="to_comments"><span class="bracket">{</span> <a href="http://deanfreelance.com/logo-redesigns-extreme-makeover/#comments" rel="nofollow"><span>0</span> comments</a> <span class="bracket">}</span></p> </div> </div> <div class="post-273 post hentry category-blog tag-computer-arts-projects tag-freelance-writing post_box" id="post-273"> <div class="headline_area"> <h2 class="entry-title"><a href="http://deanfreelance.com/airside-interview/" rel="bookmark" title="Permanent link to Airside interview">Airside interview</a></h2> <p class="headline_meta">by <span class="author vcard fn">Dean</span> on <abbr class="published" title="2009-01-04">January 4, 2009</abbr></p> </div> <div class="format_text entry-content"> <p><img style="border: 0pt none; float:left; padding-right:10px; padding-bottom:15px" width="500" src="http://deanfreelance.com/wp-content/uploads/airside1.jpg" title="Freelance writer | Airside interview" alt="airside1 Airside interview" /></p> <p>Issue 119 of Computer Arts Projects magazine (January 2009) features an interview with hot London design agency <a href="http://www.airside.co.uk">Airside</a>.</p> <p>Over the past few years, they’ve produced title sequences for the BBC film, <em>The No. 1 Ladies’ Detective Agency</em>, several TV commercials for Virgin Trains and two short films for <em>Live Earth</em>. </p> <h3>Airside interview</h3> <p>Airside is a thoroughly modern design agency. It does a bit of everything – graphic design, illustration, animation, websites and TV commercials. </p> <p>The likes of Nike, Orange, MTV and Sony have all been through the Airside doors. Not bad for a creative collective founded by three idealistic freelancers who wanted to “get nice work and do nice work.” </p> <p>“We started off as a digital agency,” explains Airside’s Managing Director and co-founder Nat Hunter. “We then moved into doing quite a lot of animation and we got distracted from digital by doing a lot of broadcast animation.” </p> <h3>Broadcast animation</h3> <p>Airside’s work for Japanese courier firm Sagawa Express is a good example. They were hired to produce a variety of different animated sequences for the client, featuring an updated version of Sagawa’s ‘hikyaku’ (foot courier) logo running through Japan to deliver a package.</p> <p>“Sagawa do everything,” says Senior Designer Henki Leung, “anything that requires delivery… If you order a TV or some electrical goods, they will deliver it to you and plug it in and sort it out. It’s an amazing service. They had ten different types of service and we had to produce ten different ads, each one ten seconds long. </p> <p>“So throughout the year, Sagawa is going to pick three ads and jumble them up into one 30 second spot. They all have their own separate look and message, which was good because we had to produce a variety of different styles for each service. We also had to tweak “Hikyaku-kun” [the Sagawa Express character] to make him a bit friendlier and more loveable.”</p> <h3>The ‘How to’ business</h3> <p>Animation is Airside’s bread-and-butter. Over the past few years, they’ve produced title sequences for the BBC film, The No. 1 Ladies’ Detective Agency, several TV commercials for Virgin Trains and two short films for Live Earth. </p> <p>AKQA recently commissioned Airside to introduce Fiat’s new ecoDrive technology and to explain how it works. In short: the ecoDrive cleverly monitors your driving style (specifically your acceleration, deceleration, gear changes and speed) and stores this data on a USB stick that plugs into your car. </p> <p>The ecoDrive software application uses this data to show you how to improve your driving and save fuel. You can watch the animations that Airside produced at www.fiat.co.uk/ecodrive.</p> <p>“Over the last three or four years, we’ve developed a nice little line in ‘how to’ movies,” explains Nat Hunter. The challenge Airside faced on the Fiat project wasn’t necessarily creating a unique look and feel, but making the final animation interesting enough so that people would watch it for 90 seconds. </p> <p>“With animation you get caught up in a story,” Hunter adds. “Whereas the minute you use video, you might think: ‘I can’t relate to that person’, ‘I don’t like the sound of their voice’ or ‘I don’t like what they’re wearing’. Animation has a more broad appeal – it makes learning a new concept easy and fun. You can completely understand what the ecoDrive system is without reading a manual or talking to a sales person.” </p> <h3>Using animation to tell a story</h3> <p>Airside dipped its toes into these ‘how to’ waters around four years ago when Greenpeace challenged them to turn a 72-page document about decentralised energy into something anybody could understand. </p> <p>“We just looked at it for about a month,” recalls Nat Hunter, “Then Henki came up with this really simple, beautiful way to tell the story. It turned out to be a live-action film with animation bits in-between. Ever since then we’ve used animation as a tool to explain something new or different.”</p> <p>Airside leveraged its ‘how to’ expertise and web experience with an information film explaining Nokia’s new mobile application, Nokia viNe. </p> <p>Designed its for N-Series mobile phones, Nokia viNe uses GPS to geo-tag any photos you take, video you record or music that you listen to. You can then upload the data to the Nokia viNE website so other people can see where you’ve been and what you’ve done. </p> <p>“We did this two-minute film that explains the software,” says Anne Brassier, who handles PR and new business at Airside. “We worked with an agency called R/GA and their brief was clear, but quite flexible. They were really up for us inputting into it and helping with the scripting to make sure that the whole thing was clear. Because it’s not aimed at the people who know about these things, it’s aimed at people who might be new to it.” </p> <h3>Websites are a powerful way to communicate</h3> <p>Increasingly, much of the animated work that Airside is hired to produce is destined for digital projects. As Nat Hunter points out, with the mass take-up of broadband, it makes more sense for modern websites to have huge amounts of moving images in them. It’s a powerful way to communicate. </p> <p>An example of this is Japanese website <a href="http://www.uniqlo.jp/uniqlock/">Uniqlock</a>. “It’s a very good example of integrating moving image into a website,” says Nat Hunter. </p> <p>“I think it’s got amazing rhythm and uses moving image in a way that is incredibly uplifting and inspiring and yet very clever. It was a huge hit in Japan last year. And they’re just selling Uniqlock polo shirts.”</p> <p>These days the web is far from being the poor cousin to broadcast. Why spend £400,000 on one 30-second TV commercial, when the same investment will buy you a whole year’s web presence? </p> <p>Yes, a web campaign will reach a different audience and yes, a web campaign might have lower potential viewing figures than a traditional 30-second TV spot.</p> <p> But with a website you have a unique chance to ‘engage’ and ‘interact’ with visitors; you have a chance to build a deeper relationship with people who are genuinely interested in what the website is selling. </p> <h3>Apple sells you a lifestyle</h3> <p>Airside’s latest project is a website build for furniture manufacturer Vitsoe. “We successfully pitched to do their website,” says Nat Hunter “and what we realised by looking into their business was that they needed a huge amount of moving image. </p> <p>“Mark, the MD of Vitsoe, had an example of what he wanted. The new MacBook pro had just been launched and he <a href="http://www.apple.com/uk/macbook/the-new-macbook">looked at it online</a>. He looked at all the beautiful camera work, showing the buttons and the detail, the quality of manufacturing, how they use less aluminium in the factory… and he was like ‘wow, this is brilliant!’</p> <p>“Mark went down to the Regent Street Apple Store, picked up the new MacBook and went ‘oh, it’s just a laptop’. But he’d been sold on it via the website.”</p> <h3>Lavish photography</h3> <p>Vitsoe has a similar design ethic. They sell a modular shelving system designed by Dieter Rams, a now legendary German designer who made his name as the Chief Designer at Braun in the 1960s. </p> <p>As Nat Hunter explains, Rams considered the lifecycle of a product and its sustainability long before ‘eco’ became a hot design trend. “He made the most beautiful objects that are very much the forerunner of the Apple products – Jonathan Ive is deeply influenced by Dieter Rams. </p> <p>“When you get these shelves delivered they come in packaging that is then taken away and reused. The shelves themselves are much more expensive than if you bought them in IKEA. But they’re very well made, you’re never going to chuck them out.” </p> <p>Nat Hunter reveals that about two fifths of the available budget was spent on building the new Vitsoe website, while three fifths was lavished on moving image and photography. </p> <p>“Vitsoe needed a huge amount of moving image because shelves are really boring. But they’ve also got this very interesting ethos that I’ve just described. If you go to a website and you understand the history and the sustainable nature of the product and the whole ethos of how they work, you’re much more likely to be hooked in. </p> <p>“The website has a role in seducing you with beautiful photography and telling a story. Within about three hours of talking to Vitsoe, interrogating them about their business, I became a customer.”</p> <h3>Sustainable design</h3> <p>The idea of sustainable design is something that’s close to the collective Airside heart. Teaming up with fellow design agency directors Sophie Thomas and Caroline Clark, Nat Hunter has launched the website <a href="http://www.threetreesdontmakeaforest.org">Three Trees Don’t Make a Forest</a>. </p> <p>The aim? To evolve the design community and inspire designers to re-think the way that they work in the pursuit of sustainable design. </p> <p>“In our own attempts to greener and greener, it was hard to understand what you’re supposed to do,” says Nat Hunter. “It was hard to understand recycled paper versus FOC paper, or how to choose a printer. </p> <p>“Three Trees started about a year ago to share knowledge about this stuff… Sophie [Thomas] ran Greengaged during London design week, which was a whole week of sustainable events at the Design Council, and Three Trees did a couple of workshops as a part of that. We realised that there was a lot of demand – the workshops were sold out four times over.”</p> <p>Yet Airside doesn’t shout about its sustainable ethos. “Every design company should be considering their actions,” says Nat Hunter, “and we’re just doing what should be normal. We’re not labelling ourselves as a sustainable agency. We’re an agency who really thinks about everything they produce.</p> <p>“Vitsoe is a dream client for us… they’re thinkers, they care about stuff, they’re up for taking a leap of faith and doing something new.” And that sums up Airside nicely.</p> <p><em>This article first appeared in the January 2008 issue of Computer Arts Projects magazine.</em></p> <p class="to_comments"><span class="bracket">{</span> <a href="http://deanfreelance.com/airside-interview/#comments" rel="nofollow"><span>0</span> comments</a> <span class="bracket">}</span></p> </div> </div> <div class="post-302 post hentry category-blog tag-computer-arts-projects tag-freelance-writing post_box" id="post-302"> <div class="headline_area"> <h2 class="entry-title"><a href="http://deanfreelance.com/beauty-east-20-hottest-design-projects/" rel="bookmark" title="Permanent link to 20 hottest Japanese design projects">20 hottest Japanese design projects</a></h2> <p class="headline_meta">by <span class="author vcard fn">Dean</span> on <abbr class="published" title="2009-01-01">January 1, 2009</abbr></p> </div> <div class="format_text entry-content"> <p><img style="border: 0pt none; float:left; padding-right:10px; padding-bottom:15px" width="500" src="http://deanfreelance.com/wp-content/uploads/ketai1.jpg" title="Freelance writer | 20 hottest Japanese design projects" alt="ketai1 20 hottest Japanese design projects" /></p> <p>Continuing the series of freelance features that I’ve written for Computer Arts Projects magazine, “Beauty and the East” is an article that looks at some of Japan’s biggest (and oddest) design projects. It appears in issue 118. </p> <blockquote><p>It’s easy to have preconceived ideas about Japanese design. On the one hand, Japanese pop culture is infused with a cult of cuteness (‘kawaii’) that has its roots in the 1970s. Saucer-eyed cartoon characters abound – from international icons like Hello Kitty and Pokemon, to the hundreds of lesser-known toons designed to sell Japanese snacks and washing powder.</p> <p>Yet this pervasive Japanese cuteness also collides head-on with a harder-edged techno-futurism. This ‘Neo-Japan’ is defined by its high-tech industrialism – its bullet-nosed Shinkansen trains, exotic robotics and advanced mobile phones.</p> <p>Modern Japanese design is a heady mix of familiar 20th Century art and new millennial experimentation. While kawaii and manga remain wildly popular, it’s been suggested that Japanese art is reinventing itself. </p> <p>If the recent ‘Wa: The Spirit of Harmony and Japanese Design Today’ exhibition in Paris was anything to go by, contemporary Japanese design is becoming more experimental, exploring texture, touch, minimalism and sensitivity. In short, it’s all about the “experience.”</p></blockquote> <p>And so on… The article covers design projects that range from videogames like <em>Final Fantasy XIII</em> to the latest in wearable robotics – the Nissan Pivo2 single-seat concept vehicle; Cyberdyne’s Robot HAL exoskeleton. </p> <p>The picture here is of ‘Keitai Girl’, Noriko Yamaguchi’s futuristic vision of runaway technological advancement. “We are living in cyberspace connected to people around the world and losing physical communication and sensation,” Yamaguchi says. “Keitai Girl is in a way a caricature of today’s people.” </p> <p>[There's no link to this article. But you can find issues of Computer Arts Projects at <a href="http://www.myfavouritemagazines.co.uk">myfavouritemagazines.co.uk</a>. Want to know more? Find Computer Arts online at <a href="http://www.computerarts.co.uk">www.computerarts.co.uk</a>.] </p> <p class="to_comments"><span class="bracket">{</span> <a href="http://deanfreelance.com/beauty-east-20-hottest-design-projects/#comments" rel="nofollow"><span>0</span> comments</a> <span class="bracket">}</span></p> </div> </div> <div class="prev_next"> <p class="previous floated"><a href="http://deanfreelance.com/tag/freelance-writing/page/4/" >← Previous Entries</a></p> <p class="next"><a href="http://deanfreelance.com/tag/freelance-writing/page/2/" >Next Entries →</a></p> </div> </div> <div id="sidebars"> <div id="sidebar_1" class="sidebar"> <ul class="sidebar_list"> <li class="widget widget_pages" id="pages-3"><h3>What I do</h3> <ul> <li class="page_item page-item-857"><a href="http://deanfreelance.com" title="Copywriting services">Copywriting services</a></li> <li class="page_item page-item-848"><a href="http://deanfreelance.com/freelance-editing-services/" title="Freelance editing services">Freelance editing services</a></li> <li class="page_item page-item-494"><a href="http://deanfreelance.com/freelance-writing-services/" title="Freelance writing services">Freelance writing services</a></li> <li class="page_item page-item-895"><a href="http://deanfreelance.com/freelance-blogging-services/" title="Web content services">Web content services</a></li> </ul> </li><li class="widget widget_text" id="text-4"><h3>Testimonials</h3> <div class="textwidget"><a href="http://deanfreelance.com/testimonials/">See what people say about me</a></div> </li><li class="widget Social_Widget" id="social-widget-3"><h3>Follow me</h3><div class="socialmedia-buttons"> <a href="http://www.facebook.com/deanpevans" rel="nofollow" target="_blank"> <img class="subscribes" src="http://deanfreelance.com/wp-content/plugins/social-media-widget/images/sketch/32/facebook.png" alt="Follow me on Facebook" title="Follow me on Facebook" style="opacity: 0.8; -moz-opacity: 0.8;"/></a> <a href="http://www.twitter.com/evansdp" rel="nofollow" target="_blank"><img class="subscribes" src="http://deanfreelance.com/wp-content/plugins/social-media-widget/images/sketch/32/twitter.png" alt="Follow me on Twitter" title="Follow me on Twitter" style="opacity: 0.8; -moz-opacity: 0.8;" /></a><a href="http://www.linkedin.com/pub/0/209/953" rel="nofollow" target="_blank"><img class="subscribes" src="http://deanfreelance.com/wp-content/plugins/social-media-widget/images/sketch/32/linkedin.png" alt="Follow me on LinkedIn" title="Follow me on LinkedIn" style="opacity: 0.8; -moz-opacity: 0.8;" /></a><a href="http://deanfreelance.com/feed" rel="nofollow"><img class="subscribes" src="http://deanfreelance.com/wp-content/plugins/social-media-widget/images/sketch/32/rss.png" alt="Subscribe to our RSS Feeds" title="Subscribe to our RSS Feeds" style="opacity: 0.8; -moz-opacity: 0.8;" /></a></div></li><li class="widget widget_rss" id="rss-3"><h3><a class='rsswidget' href='http://deanfreelance.com/feed/' title='Syndicate this content'><img style='background:orange;color:white;border:none;' width='14' height='14' src='http://deanfreelance.com/wp-includes/images/rss.png' alt='RSS' /></a> <a class='rsswidget' href='http://deanfreelance.com' title='A freelance writer for all your editing, blogging, reviewing, copywriting and subbing needs'>Feed</a></h3><ul><li><a class='rsswidget' href='http://deanfreelance.com/web-content-writing-activedad/' title='I’ve recently been doing some work on ActiveDad, a new blog by Republic Publishing. 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